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Anything can be music': Frank Zappa's theory of art Authors: Elliot Marlow-Stevens Abstract This paper presents an analysis of Frank Zappa's aesthetic values, drawing on two examples:.
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The Logic of Six-Based Minor for Harmonic Analyses of Popular Music. Trevor de Clercq. Philosophy. Music Theory Online. 2021. Harmonic analyses of popular music typically take the minor tonic to be Roman numeral "one.". By nature, this "one-based" approach requires a new numbering scheme when songs shift between relative key…. Expand. 3.
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This dissertation offers the first large-scale analytical study of the instrumental music of Frank Zappa (1940-1993). Following initial commentary in Chapter 1 on the problems of categorization.
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This article offers an introduction to a little-known compositional system devised by Frank Zappa for his orchestral music: the Chord Bible. Through a close study of the orchestral works featuring Chord Bible harmony, I will attempt a partial recreation of its contents, focusing on seven- and eight-note chords.
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A New Lydian Theory for Frank Zappa's Modal Music This article aims to demonstrate the importance of the Lydian scale in Frank Zappa's modal dia-tonic music by introducing the concept of a "Lydian system," looselyadapted from George Russell's seminal jazz theory known as the "Lydian chromatic concept." A Lydian system contains a.
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From "What The Hell Was I Thinking?" I've listened to Zappa's music for a long time, and one thing that's always stuck out to me is his use of tuplets. He uses them quite frequently (especially quintuplets), and switches between tuplets and dotted rhythms frequently as well.
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Frank Zappa meets critical theory - Volume 20 Issue 2.. (Spring 1991), 'Special Section on Musicology: popular music from Adorno to Zappa', locates Zappa in a debate about Adorno's continuing relevance where theories of popular music are concerned. More recently, Ben Watson's Frank Zappa, The Negative Dialectics of Poodle Play.
(PDF) ‘What is music? Anything can be music’ Frank Zappa's theory of art
#1 Hi, Frank Zappa was responsible for very complex, difficult music and had very high standards for his musicians. Did Zappa know music theory? If so, what has he said in print that indicates he did? dlguitar64 Member Messages 5,606 Jan 26, 2015 #2 Of course he did .He studied modern classical compsers extensively (especially Varese). H HenryAdams
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The Words and Music of Frank Zappa moves beyond the details of Frank Zappa?s life (1940?93) toward a focused treatment of the rock and pop songs of this great American composer. Today Zappa?s music can be appreciated as a whole, emerging as a coherent, thoughtful, and innovative?if somewhat daunting?body of work. Author Kelly Fisher Lowe has left no aspect of that work unexamined, from Zappa?s.
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It's the first study to present a theory about Zappa's music, an explanation of his instrumental music, much different from earlier studies, being descriptive. Because of that this study has been heralded as a break-through by a number of people.
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Zappa's interviews in his co-authored The Real Frank Zappa Book offer insight into what he valued in musical composition, and indicate that there is a universal aesthetic thesis underpinning his discography ( 1989, p. 141): So, if music is the best, what is music?
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He composed brilliant, imaginative, pristinely executed works of which 90% I can not bear to listen to for enjoyment yet mostly respect. 10% of his stuff made a profound impression on me for it's cutting social wit and musical bite.
(PDF) A New Lydian Theory for Frank Zappa's Modal Music Brett Clement Academia.edu
Frank Zappa (1940-1993) is an American composer, whose work is characterized by a high degree of diversity and creativity. His output of over 60 CDs covers about all styles of the 20th century as rock, doo-wop and jazz as well as modern works for ensembles and orchestras.
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In retrospect, it was only Frank Zappa's incomparable talent as a composer/bandleader/music visionary that overshadowed his guitar-playing prowess. Zappa began his prolific career in the mid '60s as the leader of the groundbreaking band the Mothers of Invention ( Freak Out, Absolutely Free, We're Only In It For the Money, etc.).
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3: He served prison time over a fake sex tape. Zappa did numerous things to make money early on, including writing and designing greeting cards. While making a living as a commercial artist, Zappa.
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the separation of Zappa's music into categories of 'popular' and 'serious' is mislead-ing. Zappa's comment that 'the Mothers' project' was a 'composite, gap-filling prod-uct to plug most of the gaps between so-called serious music and so-called popular music' (quoted Watson 1994, p. xxix) can be read as an early insight into his critical
